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R.E.M. - Monster Album


Performer: R.E.M.
Genre: Rock
Title: Monster
Country: Brazil
Released: 1994
Style: Alternative Rock
Label: Warner Bros. Records
Catalog Number: 945740 1
FLAC version ZIP size: 1519 mb
MP3 version ZIP size: 2291 mb
WMA version ZIP size: 1372 mb
Rating: 4.7
Votes: 609

Tracklist

1I Took Your Name4:07
2Tongue4:08
3Strange Currencies3:51
4Crush With Eyeliner
Performer [Additional Player] – Thurston Moore
4:39
5Circus Envy4:14
6King Of Comedy
Performer [Additional Player] – Sally Dworski
3:39
7Star 693:07
8I Don't Sleep, I Dream3:25
9Bang And Blame
Performer [Additional Player] – Ané, Lou, Lynda, Rain, Sally Dworski
4:48
10What's The Frequency, Kenneth?3:59
11Let Me In3:27
12You4:52

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
9 45740-2R.E.M. Monster ‎(CD, Album)Warner Bros. Records9 45740-2US1994
R2 73949R.E.M. Monster ‎(CD, Album, RE + DVD-V, Album, RM, Multichannel, NT)Warner Bros. Records, Warner Strategic MarketingR2 73949US2005
9 45740-2R.E.M. Monster ‎(CD, Album, RE, ARC)Warner Bros. Records9 45740-2USUnknown
9 45740-4R.E.M. Monster ‎(Cass, Album)Warner Bros. Records9 45740-4Philippines1994
9362-45740-2R.E.M. Monster ‎(CD, Album, RP)Warner Bros. Records9362-45740-2Argentina1994

Credits

  • ArtworkChris Bilheimer, Michael Stipe, Tom Recchion
  • EngineerPat McCarthy
  • Mastered ByStephen Marcussen
  • Mixed By [Second Engineer]Victor Janacua
  • Photography ByBrook Dillon, Chris Bilheimer, Jem Cohen, Keith Carter , Michael Stipe
  • ProducerR.E.M., Scott Litt
  • Recorded By [Engineer]Mark Howard
  • Recorded By [Second Engineer]David Colvin, Jeff DeMorris, Mark Gruber
  • TechnicianMark Mytrowitz
  • Technician [Drum Tech]Jeffery Rivers
  • Written-ByBerry, Stipe, Mills, Buck
  • Art Direction, DesignChris Bilheimer, Michael Stipe, Tom Recchion
  • EngineerPat McCarthy
  • Engineer [New Orleans]Mark Howard
  • Engineer [Second, Atlanta]David Colvin
  • Engineer [Second, Los Angeles Mix]Victor Janacua
  • Engineer [Second, Los Angeles]Jeff DeMorris
  • Engineer [Second, Miami]Mark Gruber
  • Mastered ByStephen Marcussen
  • PerformerBertis Downs, Bill Berry , Jefferson Holt, Michael Stipe, Mike Mills, Peter Buck
  • Photography ByBrook Dillon, Chris Bilheimer, Jem Cohen, Keith Carter , Michael Stipe
  • ProducerR.E.M., Scott Litt
  • Technician [Drum Tech]Jeffery Rivers
  • Technician [Technical Assistance]Mark Mytrowitz, Microwave
  • Written-ByBerry, Stipe, Mills, Buck

Notes

Recorded:
Ocean Way Recording, Los Angeles, California
Criteria Recording Studios, Miami, Florida
Crossover Soundstage, Atlanta, Georgia
Kingsway Studio, New Orleans, Louisiana

Mixed:
Louie's Clubhouse
Ocean Way Recording, Los Angeles, California

The bear image © TBC 1991, courtesy of the Tilly Balloon Company.
℗ © 1994 R.E.M./Athens, Ltd. Made in U.S.A.
Dedicated to River Phoenix.
Mark Mytrowitz [Microwave]
Contains insert.Recorded at Ocean Way Recording, Los Angeles, California. Criteria Recording Studios, Miami, Florida. Crossover Soundstage, Atlanta, Georgia. Kingsway Studio, New Orleans, Louisiana.
Mixed at Louie's Clubhouse. Ocean Way Recording, Los Angeles, California.
Mastered at Precision Mastering.

Back cover claims 'Made in U.S.A.' but this is probably just a careless reproduction of the American artwork for the Australian release. CD label has the 'Digital Audio Technologies Australia' logo on the hub - different from Monster which has the logo on the left side of the label.

Barcodes

  • Barcode (Text): 09362 45740 1
  • Barcode (String): 09362457401
  • Barcode (Text): 0 9362-45740-2 6
  • Matrix / Runout: D.A.T.A. 9362457402 A E1
  • Mastering SID Code: IFPIL 311
  • Mould SID Code: ifpi 2661

Companies

  • Recorded At – Ocean Way Recording
  • Mixed At – Ocean Way Recording
  • Recorded At – Criteria Recording Studios
  • Recorded At – Crossover Soundstage
  • Recorded At – Kingsway Studios, New Orleans
  • Mixed At – Louie's Clubhouse
  • Mastered At – Precision Mastering
  • Phonographic Copyright (p) – R.E.M./Athens L.L.C.
  • Copyright (c) – R.E.M./Athens L.L.C.
  • Copyright (c) – Night Garden Music
  • Manufactured By – BMG Ariola Discos Ltda. Divisão Sonopress
  • Distributed By – BMG Ariola Discos Ltda. Divisão Sonopress
  • Record Company – WEA Discos Ltda.
  • Record Company – Warner Music Group
  • Phonographic Copyright (p) – R.E.M./Athens Ltd
  • Copyright (c) – R.E.M./Athens Ltd
  • Published By – Night Garden Music
  • Published By – Warner-Tamerlane Publishing Corp.
  • Recorded At – Ocean Way Recording
  • Recorded At – Criteria Recording Studios
  • Recorded At – Crossover Soundstage
  • Recorded At – Kingsway Studios, New Orleans
  • Mixed At – Louie's Clubhouse
  • Mixed At – Ocean Way Recording
  • Mastered At – Precision Mastering
  • Glass Mastered At – Digital Audio Technologies Australia
  • Manufactured By – Warner Music Australia
  • Distributed By – Warner Music Australia

Album

brought forth Radio Free Europe, the airwaves were seized by a blurted code no one could quite crack, a call to arms and terms of surrender in the same asthmatic breath. s long-promised rock album it just doesn't rock in the way one might expect. Monster wasnt . Listen album. He explained, That's not what we started out to make, but that's certainly how it turned out to be. Unknown extension tag indicator. and was released on September 27, 1994 by Warner Bros. Released September 27, 1994. He explained, That's not what we started out to make, but that's certainly how it turned out to be. Coming from a long break in touring the band famously didnt tour with the two previous records, Monster represented an intentional shift in . It's all a fan's dream come true. I can't believe how great the new Monster sounds. Peter Buck described Monster as a 'rock' record, with the rock in quotation marks. s long-promised rock album it just doesn't rock in the way one might expect. Bang and Blame. Узнавайте о релизах, читайте рецензии, изучайте сведения об участниках альбомов песни и прочая информация о . s trademark anthemic bashers, Monster offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. After two gargantuan hit albums of down-tempo, mostly acoustic ruminations Out of Time and Automatic for the People, Monster now sounds more like the next logical step for the band - its loose, loud, and unsentimental, something more akin to their Emotional Rescue or maybe even Lou Reeds New York than some kind of roots record. Michael Stipe's lyrics at times deal with the nature of celebrity, and some are sung from the viewpoint of a character. s comeback album or their Get Back. I Took Your. got back to making what guitarist Peter Buck described as a 'real noisy rocknroll record'. Monster 1994. Stipe does a great Curtis Mayfield impression or is it Michael Hutchence on Tongue, Buck makes his guitar strobe on Whats the Frequency, Kenneth and Crush With Eyeliner and Bang and Blame , and they channel the. Crush with Eyeliner. With Monster marking its 25th anniversary on September 27, 2019, were republishing our review. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords. Songs in album . Rating: Go directly to your record store. Monster is indeed . Michael Stipe's lyrics at times deal with the nature of celebrity, and some are sung from the viewpoint of a character. Michael Stipe's lyrics, dealing with the nature of celebrity, are sung by him in. What's the Frequency Kenneth . Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords. Here, pilgrims bathed at a shrine consecrated to the memory of Love Will Tear Us Ap. Kill if you must. Monster - . With their Monster album, . Buy this album. In the beginning, . Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. released on September 27, 1994 by Warner Bros. Jamie East talks to . Unlike the bands two previous records, the Monster sessions proved atypically fraught. s ninth album, Monster, was released at a time when the band were coming off the peak of their mainstream success, following Out of Time 1991 and Automatic For The People 1992. To favorites 13 Download album. Whats the Frequency, Kenneth Lyrics. The music and the packaging are excellent. Like, it's a rock record, but is it really Mike Mills told Time, On past albums we had been exploring acous. Star '69. Monster Tracklist. There's a nudge, nudge, wink, wink feel to the whole record. 1994 Remastered. s Michael Stipe and Mike Mills about the making of album 'Monster' 25 years after its release, as well as their first . Produced by the band and Scott Litt and recorded at four studios, the album was an intentional stylistic shift from . There's a nudge, nudge, wink, wink feel to the whole record. Другие версии альбома. 1 January 1994. s previous two albums Out of Time 1991 and Automatic for the People 1992, with loud, distorted guitar tones and simple arrangements. This piece originally ran in the November 1994 issue of SPIN. Monster is the ninth studio album by American rock band . s previous two records, the music of Monster consisted of distorted guitar tones, minimal overdubs, and touches of 1970s glam rock. s previous two albums-Out of Time 1991 and Automatic for the People 1992-with loud, distorted guitar tones and simple arrangements. Both Bill Berry and Mike Mills were struck down with illness Michael Stipe suffered a tooth abscess that required urgent medical attention after the sessions had moved on to Criteria Studios in Miami the band were collectively knocked sideways by the recent deaths of Stipes personal friends, actor River Phoenix and Nirvana frontman Kurt Cobain. Play album. It's like listening to a whole new album by . The song held out asylum in place of utopia, ritual instead of desire. Digital . I love all the extras, the Chicago concert, the videos. I Don't Sleep I Dream. Get album. Покупайте и продавайте винил и компакт-диски, формируйте. Like, it's a rock record, but is it really Mike Mills told Time, On past albums we had been exploring acous. In contrast to the sound of . Peter Buck described Monster as a 'rock' record, with the rock in quotation marks. King of Comedy. Instead of . s long-promised rock. Strange Currencies. s sound, a return to rock with guitar laden, simple arrangements. The remastered album is also available as a standalone 180-gram vinyl LP, with the original 1994 Monster artwork. Crush with Eyeliner Lyrics

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